~*2Deep*~

Posts Tagged ‘change’

National Poetry Month 2013- Day 17 “Impromptu Shoe”

In Writer's Block on 22 April 2013 at 1:33 pm

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Day 1: Dear Sakura

Day 2: Dream, Immortal, Smile

Day 3: Braille

Day 4: Grin & Epiphany

Day 5: Learning

Day 6: Love Toy

Day 7 :  No Hands

Day 8: You 

Day 9: Sexy

Day 10: Reggie

Day 11:  Secrets

Day 12: Deja Not

Day 13: You & Him

Day 14: Worthy

Day 15: Shadow

Day 16: Questions

Day 17: Impromptu Shoe

I am learning that poems don’t have to be 3 minutes long. That was a fear of mine. I am giving myself permission to express shorter thoughts. Enjoy!

Impromptu Shoe
by: 2Deep

You,
sir,
are like my favorite pair of high heels.
You have a time limit,
hurt my feet,
but look beautiful on me.
I know,
I probably should choose a pair that better suits me,
but do you know how many hours
went into making sure I had the money to buy you.  Read the rest of this entry »

National Poetry Month 2013- Day 16 “Questions”

In Writer's Block on 18 April 2013 at 2:37 pm

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Day 1: Dear Sakura

Day 2: Dream, Immortal, Smile

Day 3: Braille

Day 4: Grin & Epiphany

Day 5: Learning

Day 6: Love Toy

Day 7 :  No Hands

Day 8: You 

Day 9: Sexy

Day 10: Reggie

Day 11:  Secrets

Day 12: Deja Not

Day 13: You & Him

Day 14: Worthy

Day 15: Shadow

Day 16: Questions

So, I was chilling with my cousin, KaNikki J, when she asked me to do a community poem with her. I was down for it. But if you know me then you know that I never stop at the obvious, I’ve got to take it a step further. Soooooo….. I decided to ask my office to help me create a community poem as well. I think they also call it a skeleton poem or something. Anywho. I wrote the first line and told someone to write the next. Then I covered up my line so the next person could only see the line directly above the line where they were to write. I didn’t get my whole office involved, but the few people who I did ask were happy to join in. lol. P.S. Did I mention that i work with some of the coolest people in the world? lol.

So, here is the poem:

Questions

by: 2Deep & her coworkers ( lol)

Today I have the right to question the world

Do people still use pens?

Hell no!!
We use keyboards Read the rest of this entry »

Poetry History Month 2013- Day 15 “Shadow”

In Writer's Block on 15 April 2013 at 11:10 am

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Day 1: Dear Sakura

Day 2: Dream, Immortal, Smile

Day 3: Braille

Day 4: Grin & Epiphany

Day 5: Learning

Day 6: Love Toy

Day 7 :  No Hands

Day 8: You 

Day 9: Sexy

Day 10: Reggie

Day 11:  Secrets

Day 12: Deja Not

Day 13: You & Him

Day 14: Worthy

Day 15: Shadow

Shadows
by: 2Deep

In the shadow of yesterday
I ponder on the “Y” of day’s past
feign for an understanding
to come and cease the ache between my thighs Read the rest of this entry »

Poetry History Month 2013- Day 14 “Worthy”

In Writer's Block on 15 April 2013 at 11:07 am

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Day 1: Dear Sakura

Day 2: Dream, Immortal, Smile

Day 3: Braille

Day 4: Grin & Epiphany

Day 5: Learning

Day 6: Love Toy

Day 7 :  No Hands

Day 8: You 

Day 9: Sexy

Day 10: Reggie

Day 11:  Secrets

Day 12: Deja Not

Day 13: You & Him

Day 14: Worthy

Worthy

by: 2Deep

Who I am is not
Based on how you treated me
I’m worthy of more

Poetry History Month 2013- Day 13 “You & Him”

In Writer's Block on 15 April 2013 at 11:05 am

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Day 1: Dear Sakura

Day 2: Dream, Immortal, Smile

Day 3: Braille

Day 4: Grin & Epiphany

Day 5: Learning

Day 6: Love Toy

Day 7 :  No Hands

Day 8: You 

Day 9: Sexy

Day 10: Reggie

Day 11:  Secrets

Day 12: Deja Not

Day 13: You & Him

You & Him

by: 2Deep

I never noticed
How you remind me of him
‘Til I dumped you too

Poetry History Month 2013- Day 12 “Deja Not”

In Writer's Block on 15 April 2013 at 11:03 am

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Day 1: Dear Sakura

Day 2: Dream, Immortal, Smile

Day 3: Braille

Day 4: Grin & Epiphany

Day 5: Learning

Day 6: Love Toy

Day 7 :  No Hands

Day 8: You 

Day 9: Sexy

Day 10: Reggie

Day 11:  Secrets

Day 12: Deja Not

Deja Not

by:2Deep

Been there and done that
Deja vu means repeated
Time to learn this lesson

Lyrically Speaking: India Arie~Talk to Her

In Lyrically Speaking on 7 February 2011 at 12:16 am

        Sitting peacefully in my office, supposedly being productive when Pandora hits me with the gift of Neo-Soul‘s Past; India Arie‘s Talk to Her. I could have jumped up and belted this entire song out loud in my office without caring what anyone thought of me. Yes, this song spoke to my soul and I was prepared to be escorted out of the building by Federal Police. This was truly worth it. I immediately searched for the mp3 on the internet and placed it on repeat. I have a feeling that this CD will be played when I get home and immediately placed on my mp3 player.

        Why the excitement? Well… its India Arie! I can remember how I was first introduced to her and I became hooked and have bought every CD since. Not the iTunes….no, the CD!! I just have faith that every time I buy an India Arie project I will be able to listen to it from start to finish without complaint and that faith is bigger than a mustard seed. And I have to tell you, I have NEVER been disappointed. EVERY project is my favorite. SO much so, I had to stay away from her when she came to Busboys and Poets in DC because I didn’t want to hug her and get arrested like a crazed groupie. I was more than that… I was a supporter. Yes, ever since the day my little hippie friend Erin and her dark brown hair and glasses told me to listen to Brown Skin, I was hooked. Of course I wanted to know what a little white girl knew about Brown Skin, but she told me that her friend in Atlanta heard her and she wondered if I knew. Well… I didn’t and I felt excited that she had told me.

        The very first time that I heard this song I pictured that India Arie was a teacher in a class and the students were all teen black males & females. This song would be the lesson of the day. Essence and Vibe magazines would be the text books on every desk. Lyrics to the song would be written on the board, college lecture style. It would be a modern-day Lean on Me. Yes, I can picture it….or something like it. What if…..

        The video would start off with India Arie walking down a row of desks placing the last of the “text books” on the individual desk  in preparation for the arrival of the students back from lunch and/or recess. While singing she places the last book and then walks to write the topic “Talk to Her” on the chalkboard. A disagreement between a boy and his girlfriend comes into the shot and India walks over to the window.

Chorus:

When you talk to her talk to her
Like you want somebody to talk to you mama
Don’t get smart with her have a heart to heart with her
Just like you would with your daughter
Cause everything you do or say
You gotta live with it everyday
She’s somebody’s baby
She’s somebody’s sista
She’s somebody’s mama

        When she gets to the window and raises the window up even higher and sticks her head outside. The girlfriend storms away crying and India grabs the arm of the boy and sings the first verse to him.

Verse 1
Now when you got to her speak truthfully
Be honest as you can be, from your heart
You’re in a situation, where ya losing patience
Take your time and look her in the eye
When you just can’t find the words you want
And it’s hard to reach the point
Where you both can understand
Don’t just tell the truth
But,Tell the whole truth
It’ll make a better man outta you

        She gently touches his face and closes the window. Then in the background you see girls jumping rope and they become the background singers for this part. The guy apologizes and they make up.  The Bell rings and everyone heads into the school towards the end of the chorus.

Chorus:

When you talk to her, talk to her
Like you want somebody to talk to your mama
Don’t get smart with her have a heart to heart
With her just like you would with your daughter
Cause everything you do or say
You gotta live with it everyday
She’s somebody’s baby
She’s somebody’s sista
She’s somebody’s mama

        Scene switches to India Arie walking down the school halls. Girls wearing short skirts can be seen with guys whistling and attempting to pull up their dresses. India jumps in to correct the situation….. Words are spoken to both the boys and the girls to prove her point.

Verse 2:

It doesn’t matter if she’s wearin
A mini skirt or a business suit
Whether she’s 25 or 99
Treat her the way your mama taught you to
She could be the Queen of Sheba
She could be a school teacher
Home maker or a lawyer
I think it’s good for your Karma
If when ya talk to her…

        Female teachers open class doors to join in ask the chorus is being sung. They usher the students into the classrooms leaving India in the halls by herself.

Chorus:

When you talk to her, talk to her
Like you want somebody to talk to your mama
Don’t get smart with her have a heart to heart
With her just like you would with your daughter
Cause everything you do or say
You gotta live with it everyday
She’s somebody’s baby
She’s somebody’s sista
She’s somebody’s mama

        India can be seen walking past a boys’ and girl’s restroom and them comes to a stop underneath a clock with hands that are speeding up the time of day and to suggest that times are changing.  She continues to walk towards the auditorium.

Verse 3
Now let’s keep it real
Nothing in this world could ever exist
Without it’s opposite
There has to be a sun and moon
A man and a woman
And that’s just the way it is
Humanity’s lop sided
And everyone’s fightin’
How do we restore the peace
Mother earth is hurtin’
And everyone is searchin’
For the feminine energy

        The doors of the auditorium open to the students being adult men and women. India goes and takes her place standing in her place as a teacher, much like that scene in Lean On Me where the teachers stood in the isle. She has an envelope in hand.

Chorus:

When you talk to her talk to her
Like you want somebody else to talk to your mama (Watch your mouth, yeah yeah)
Don’t get smart with her have a heart to heart
With her just like you would with your daughter
Cause everything you do or say
You gotta live with it everyday
She’s somebody’s baby
She’s somebody’s sista
She’s somebody’s mama

        The camera would pan over the “students” matching each line of the Vamp. A brother stands up to fight when a guy says something to his sister, you see usual teen behavior at an assembly; paper throwing, joking, etc.

Vamp

When you talk to her talk to her
Like you want somebody to talk to your mama
Just like you fight for your sister
If you knew that somebody dissed her
How you gonna care for your daughter
Turn around and talk bad about her mama
Same way you listen to your auntie
Never interrupt while she speaks
Make your words sweet like candy
As if you were talking to your granny yeah

        The male principal is on stage speaking as he looks up and locks eyes with India. He smiles, continues the speech to the “students”. This would even be an amazing time to have cameos from the Lean On Me cast…lol

If you really love her then (say so)
If you really need her then (say so)
Love the way she thinks (say so)
You love the way she speaks (say so)
When you need some good conversation (say so)
Say so (say so)
If you want her in your life (say so)
You want her to be your wife (say so)
Tell her she’s your best friend (say so) (alright)
You’ll be there to the end (alright)(say so)

        Camera pans in on India looking at the envelope in her hand which is suggested to have been a resignation letter and she tears it in half.  Principal dismisses the students and seen goes to everyone filing out of the auditorium and leaving the school building. One of the other female teachers playfully hits her as she walks to the curb.

If you’re thinking about leaving (say so)
If you wonder where she’s going (say so)
If you need to breathe with her (say so)
You just want to be with her (say so)
If you love her hair (say so)
If you want her there (say so)
Tell me if you really want her (say so)
You wanna slap her down (say so)
Say so…
(You better not hit no woman, you done bumped yo’ head)
If you feel like loving (say so)
If you wanna feel the hugging (say so)

        A car pulls up and in the driver seat is a man who she leans in and kisses on the cheek and the car pulls off.

        Yeh…. that’s exactly how I pictured it. But who am I…. just a borderline obsessed fan.. and I mean that in the MOST respectful, “no restraining order needed” kind of way. I think that India, in all of her beauty, both vocally and physically would make my vision so beautiful. But she needs no help in that department. I pray she is as strong and direct and humble as I perceive her to be. I see God in her….And that is all that I have to say about that. Enjoy!

P.S.~ Check out my other post called 200 Men Said…. Oedipus’ Words. It is apart of my 200 Men Said…. series where I asked the men if they’ve ever said something to a woman that they wouldn’t want anyone to say to their mother. The answers will surprise you.

Sincerely,

~*My Mother’s Daughter*

“Brand New” Vantage Point

In So-Shall Experience on 28 December 2010 at 3:37 pm

Yoko Ono's A Hole

        There comes a time in everyone’s life when they will get asked, “What’s up with the change?” or “Why’re you acting brand new?”, to which you should reply, “Define brand new” or “From who’s stand point?”.

        I say this because, often times, vantage point can make a world of difference. John Lennon’s wife, Yoko Ono (sp), did an amazing piece of artwork where she does a bullet hole through a glass pane. She makes you look at the glass from both sides so that you can see if you are the shooter or the one shot. She said, “Unfortunately, I was on the bad side”. I can bet my soul I know which side she would have rather been on if she had a choice in the matter. But this artwork is a symbol of life and life’s vantage point.

        Recently, while on a vacation with someone who I deemed friend, I watched the vantage point change. And although it was rather subtle at first, I started to notice her behave “brand new”, or at least it seemed that way to me. But was that bad? Well, this morning on Twitter @SimplySandraG  said, “Someone asked me why I was acting brand new & in response I asked them why are they still acting the same.” Which made me think….is acting brand new always a bad thing, or can it be a good thing? And I think it depends on what that new behavior is and how it is executed.

        For example, If you are a hoe on land… I’m pretty sure you will be a hoe at sea.  Not calling anyone a hoe, used term for dramatic effect. But if the condom fits….wear it. There is no switch in that unless you get hit with the Holy Ghost and change your ways before departing the port. But is there really brand new behavior or is it that the revealing of such behavior is deemed incorrect for the current situation? Like the kid who jumps on furniture at home and then the parents pretend to be outraged in public pretending that they’ve never seen their children do this before. I say this because, there are always signs of a person’s behavior, but maybe the situation lends for it to be okay, therefore causing the person to become accustomed to executing such behavior. Thus, when the environment changes, the one who is more keen to changing does so while the other person keeps doing the same behavior and is therefore deemed as “acting brand new”. Confused? I’ll explain further.

        If you have a friend who can NEEEEEEEEEEEEEEEEVER be on time to save their life unless they are representing themselves, their business, or their family and can NEEEEEEEEEEEEEEEVER respect the time of others (those deemed friends)….then how can you expect them to change when stepping outside of those guidelines just because the environment changes? If everyone caters to such rude and inconsiderate behaviors by changing their arrival times, joking that they know this person is never on time, or re-routing caravans to cater to this person….you can only expect that this person will get use to being catered to and that this behavior is acceptable. You can also believe that the minute someone is smart enough to stop enabling this type of behavior the Tardy for the Party person will inevitably get defensive and think that you have a problem with them because, after all, they deserved to be catered to at all times…. right? So EVEN if they spend 4 nights of a cruise in the stateroom with 2 guys that they just met 3 days earlier (the first night being your birthday night, despite whatever the circumstances may be)……you should be perfectly okay with such “brand new” behavior, right? And even if they hand your stateroom key to a complete male stranger ( 3 days does not a friend & trust factors make) to come check on you in your room because you went missing and they didn’t feel the need to get out of the bed from snuggling with their new cruise guy….you should be perfectly okay with such “brand new” behaviors…right? I mean, after all, you’re the one that is remaining the same, right? Or are they the ones who are remaining the same and you are changing because common sense tells you to do better and therefore your change is making someone else look as if they are acting “brand new”?

*Side note*: THE GIVING OF THE STATEROOM KEY TO A STRANGER BECAUSE YOU TRUST TOO MANY GOT DAMN PEOPLE FAR TOO SOON AND ESPECIALLY IF THEY HAVE A PENIS>>>>IS ENOUGH TO GET YOU FUCKED UP! I DONT SUGGEST THAT ANYONE EVER TRY THIS WHILE ON A CRUISE! USE SOME COMMON SENSE ,PEOPLE! THAT’S ALL I’M ASKING! COMMON SENSE!!!!

        If you are confused by this… so am I. lol. But perhaps the environment is what has changed, and both parties are remaining true to their character ( or lack there of) and therefore both parties feel as if the other has changed, when in fact….. they havent. For instance, if 2 people sit in the dark at midnight and one ( due to the dark) appears to have a black shirt on but as the sun rises (environment change) now appears to have on a purple shirt…. did the person really change or did the environment change causing the appearance of change? Meaning, that person hasn’t changed and neither have you… the sun has finally shifted therefore revealing to you something that has been there all along and you are just now seeing it.  Like the time I was starting up my own sisterhood, when my top divas (Vice President, Secretary, Event Planner, etc) all saw the new recruits misbehaving, slacking on turning in assignments, and even watched me put them in check. When I dismissed a recruit for not following the rules or carrying their weight, my top divas were right behind me….agreeing with every step & damn near virtually hi-fiving me for getting rid of dead weight. I didn’t cater to anyone; if you didn’t carry your weight you had to bounce. But ooooooooh no! As soon as they started slacking on assignments and not pulling their weight, they had to go. Of course it came up that I had changed.  When in fact, I had been the same person, upholding the same standards, and not the only difference had been who was being punished for falling below those standards. They had encouraged my behavior, they told me that I was doing good when I saw a wrong and went to fix it ( I wasnt always the most tactful, I admit but the job got done) So you see, I had not changed, the vantage point did, the environment had changed. So, do you get mad at the person, the behavior, or the environment?

        I say blame yourself for not noticing. lol. We often push our better judgement to the side when dealing with so-called friends. We must STOP that. We must hold our friends to the same standards as we do for strangers since those closest to us can screw us over faster than those furthest from us. If your friend doesn’t curse in front of their parents but does at a bar….that person curses. Point. Blank. Period.  If this person has bad judgement when it comes to men at home, taking a trip isn’t going to change it. Point. Blank. Period. If your friend is quick-tempered and ready to beat anyone’s ass back home, I suggest you don’t try to come out the side of your neck via text messages during the holiday season…..because you can still get that ass whooped! POINT! BLANK!PERIOD!!! It is an evolution of changing environments and we already possess those behaviors that will be revealed upon entering such situations. It is up to us to pay more attention to others sooner. Hold ourselves accountable for our own actions; be they wrong or right, new or old. And we must not be willing to accept poor behavior from ANYONE at ANY TIME that does not show full respect to us and our situation. Now, go ahead…insert this rule into your life, and watch the ones you’ve been catering to for far too long say that you’re “acting brand new”.  Then….agree with them.

Sincerely,

~*My Mother’s Daughter*~

Lyrically Speaking: Droopy the Broke Baller- Rhee and Mayor Fenty

In So-Shall Experience on 30 November 2010 at 10:49 am

Fourth Edition

 

With this video on repeat I transport back to the days when I sat in my Auburn University dorm in the heart of Dixie waiting for the day when I could finally get a chance to see the CHOCOLATE City. Just to move here in 2004 and feel like I stepped in the heart of Spokane, Washington back in ’95 when you would hug a stranger just because they were black. Finding a black person living in the center of DC is like trying to find Waldo in a candy cane factory. I swear if Lincoln wasnt a president they would tear down the Lincoln Theater too because he freed the slaves and they’d need to gentrify (new word) that too & call it Bush Theater.

So who is this genius in the video, you ask? Well this is my poetical goon & big brother…none other than Droopy the Broke Baller! With many awards and successes under his belt, host at the famous Busboys and Poets, slam teams on his resume and the weekly co-host of the infamous Spit Dat here in DC every Thursday….Droopy is no stranger to bringing forth the issues that others are too afraid to bring to the kitchen to cook, let alone actually bring to the table and serve to the public. Normally known as the Black Weird Al Yankovic and Prince of Parody, he is making people think through the use of comedy….but even then they say that truth is told in jest. At best, he will always make you think. I know from first hand, after sitting for 2 hours and critiquing his CD track by track (b/c he asked and I took it literally…lol),and learning to appreciate the dedication that he has for educating through humor….but educating never the less!

You don’t have to live or walk the halls of the U Street corridors here in Washington, DC to get the gist of what Droopy is referring too. Take away Michelle Rhee and Adrian Fenty and replace them with any Chancellor of Public Schools and any Mayor and I am sure that unless you live in the DOnald Trump’s libing room….you’ll feel the sentiments of his words. High rent, segregation in an age of “Yes,We Can”s, and people being pushed to the edge of the District to Virginia and Maryland are all too common these days. Here in the District, we call this metropolitan the DMV for DC, Maryland and Virginia, but daily is seems like  it’s the D telling those of darker skin to M(o)V(e). And not to Beverly Hills, that is…..but to Prince Georges County.

And you would think that anyone who went to school to be put in a leadership position that deals with education would be smart enough  to know that you don’t mess up your very own future by jacking up the school system. I guess Rhee never got that lesson. I saw a school on Georgia Ave get knocked down and replaced by a basketball court. If that isn’t sending a kid a message, I have no clue what else is.  It’s as if they are screaming to the kids in the overcrowded math classes with 40 kids to one teacher, who doesn’t give a damn that they could care less if you focus on class, as long as you have a court to play on you better not rob us. It’s a shame that the U.S. Capitol has some of the worst school conditions in the entire country….and they say that everything starts at the head. But I guess as long as your children are in the private schools, you could care less. I don’t have kids of my own, but I am smart enough to know that those kids who are failing math and getting pushed through will one day be the very same adults who issue your critical heart medication.  2 CCs of  dumbass plus 8 CCs of too much of this will kill you and .5 CC of you should have planned better. Think on it! I know this from example from an ex who called the Washington Monument “that pencil looking building” who just so happened to be in school for nursing and admits to cheating on tests. Remind me to NEVER go to the hospital where he works in case of an emergency.

Now on to ex-Mayor Fenty…..I am just happy that I no longer live directly in the District. He was too bold for his health. He pretended as if we worked for him. The only time he was seen out in public was when he would stand on the corner of Michigan Ave & North Capitol Street waving his green signs trying to distract you from all of the shit he didn’t do during his term. You would have thought that he was the president the way he paraded around the District. He went on trips and wouldn’t tell anyone when he was leaving or if he was using political funding. Needless to say, he got voted out of the office and no last-minute ditch efforts to “write-in” his name on ballots could have made people feel otherwise.

As far as this video goes….Well Done, Goon. This is well executed in cinematography, contrast, format, and lyrics. I would never expect less from you…..THIS is the birth of change. THIS is what poetry was intended to do. THIS is what gets me up in the morning, put paper to pen and dare you to challenge me. I take my hat off you, big bro…. I be damned if you havent done it yet again!  Check him out on Facebook and on Twitter…this is a cat that everyone needs to put on their roster.

Check out his latest project:

Sincerely,

~*My Mother’s Daughter*~

Lyrically Speaking: Waka Flocka-No Hands

In Lyrically Speaking on 16 November 2010 at 12:01 pm

Second Edition

        Like Waka Flocka at all of his paid performances, I am at a loss for words. I mean, I will make an honest attempt to give some form of props in the middle of this mess….but no promises.

        Waka Flaka’s No Hands is a very trendy and catchy beat and chorus that has teens from DC to Japan screaming “Look ma, no hands” and even though I have been guilty of bobbing to it in my own house and subconsciously learning the lyrics thanks to constant rotation on the radio, I wouldn’t want anyone else learning it. Hypocrite? Yes, and rightfully so. I’m old enough to know what the lyrics of the song mean. I wish I could sit a class down and deconstruct these lyrics. It’s the teen group that I want to stop from bobbing to this, because the girls are the first ones to jump up and prove to the boys that they are the best “No Hands” chick in the building, and the boys continue to think that treating these girls as such is what the girls want because they aren’t showing them otherwise.

        I remember when Hip-Hop use to make us think, you to get you amped up to do something, but now this rap stuff is for no other use than to degrade and get your head bobbing in the club. Being, indirectly, from the south you would think that I was proud of the south’s musical (lack of) achievements. I mean, the Stanky Leg and No Hands should be enough to make me rep’ my city….right? Not so much. Okay…enough of my banter… lets look at these lyrics. The same lyrics that get bleeped out on the radio and make it sound just a little bit cleaner than what it was ever intended to be……those edited lyrics are WAY better than what is said.

Chorus:

Roscoe;Chorus:]
Girl the way you’re movin’
Got me in a trance
DJ turn me up
Ladies dis yo jam
I’ma sip Moscato
And you ‘gon lose dem pants
Then I’ma throw this money
While you do it with no hands
Girl drop it to the flo’
I love the way yo booty go
All I want to do is sit back
And watch you move
And I’ll proceed to throw this cash

 

        Fiiiiiiiirst off! Roscoe has a daughter. I keep trying to tell people how this whole ” I will corrupt your sons and daughters while I protect my own seed” mentality is a bunch of bullshit! Some lil boy is going to grow up thinking that this is how to treat a woman, therefore making his daughter’s chances of finding a decent man who doesn’t want her just for her money slim to impossible!!! I can’t shout this enough. So he is telling you that this is your song & you’ve got to take your pants off BEFORE he’ll give you any money. Okay… on to the king of stupidity.

Verse 1:

Waka;Verse 1:]
(Waka, Waka, Waka, Flocka, Whoa, Whoa)
All that ass
In yo jeans
Can Wale beat
Can Roscoe skeet
Long hair she don’t care
When she walk she get stares
Brown skin or a yellow-bone
DJ this my favorite song
So I’ma make it thunderstorm
Bud, want it, Flocka, yea
Blowin’ ,fuck it, i dont care
Chests’ flyin’ everywhere
Got my partner Roscoe, like bruh
I’m drinkin’, help, can’t you tell
Booze help me hit them 15 steps
I’m fuckin’, well i’m tryna hit the hotel
With 2 girls that swallow me
Take this dick while swallow
Pay moscato got her freaky
Aye you got me in a trance
Please take off yo pants
Pussy pop on her handstand
You got me sweatin’
Please pass me a fan damn!

        After the “Shawt Bus Shawty intro……(Waka Waka Waka Waka). Ummmm…. So, he doesn’t even want to sleep with you. He just wants to ask if his boy can beat it and then can his OTHER boy skeet it? Classy! I mean…this should have all the girls out on the dance floor dancing like coons, booty tooted up in the air! And one wants to beat it…..sooooo is the other sitting in the corner holding his skeet? Or is he beating himself while the other beats and then they tag team WWE style while one now skeets on her and the other contains his skeet because that wasnt apart of the contractual agreement? Okay… I thought too much into that, but why say it if it doesn’t make any logical sense? So…further in the verse you are only good enough to suck him off because he doesn’t think you’re quite fuckable material because you might get pregnant and he doesn’t want that. And the first southern grammatical stab is “Chests'” ….pronounced by Waka as “Chest-is” LMAO!!! You showl is edjumikated. And I think he had a bout with schizophrenia in the middle when we asked himself if he wanted bud…and then answered himself. But….next!

After a flare of the chorus again……..

Verse 2:

[Wale;Verse 2:]
(Aye, aye, Wale, uh)
She said look ma no hands
She said look ma no hands
And no darling I don’t dance
And, I’m with Roscoe, I’m with Waka
I think i deserve a chance
I’m a bad mothafucka
Gon’ ask some mothafuckas
A young handsome mothafucka
I sling that wood
I just nun chuck ’em
And, who you wit
And, what’s yo name
And, you not hear boo, I’m Wale
And, that D.C. shit I rep all day
And, my eyes red cuz of all that haze
Don’t blow my high
Let me shine
Drumma on the beat
Let me take my time
Nigga want beef we can take it outside
Fight for what broad
These hoes ain’t mine
Is you out yo mind
You out yo league
I sweat no bitches
Just sweat out weaves
Where our tracks
Let me do my thing
I got 16, for this Roscoe thing
But, i’m almost done
Let me get back to it
Whole lotta loud
And a little backwood
Whole lotta money
Big tip I would
I put her on the train
Little engine could, bitch

 

        I know this is just a song, but she was proud enough to show her mother how she does it without hands? I wish I would!!! My mother would hop up from the grave and pimp slap me with the withering hang of my ancestors if I EVER did that in front of her. I’m still afraid to do stuff in my own house in fear that her spirit can see… & I am grown! lol. Nunchucks are weapons…..domestic violence is not cute metaphorically or literally….NEXT! Ummm what the fuck does “You not hear” mean? Is that suppose to be “you can’t hear” or “havent you heard” or am I bugging? Nope, not bugging… he did graduate from PG County public schools. I know… I live here…lmao! And just in case you thought that he would protect your honor after you gave up the ass…. think again! You hoes arent his! lol And just when you wanted frequent flier miles… he plans on straight up Amtraking your ass…..am I making my point?

And last but definitely not least:

Verse 3:

[Roscoe;Verse 3:]
(Roscoe Dash, let’s go)
R-O-S-C-O-E-Mr. shawty put it on me
I be goin’ ham
Shawty upgrade from baloney
Them niggas tippin’ good
Girl but I can make it flood
Cuz I walk around
With pockets bigger that are than my bus
Rain, rain go away
That’s what all my haters say
My pockets stuck on overload
My reign never evaporates
No need to eleborate
Most of these ducks exaggerate
But, i’ma get money nigga
Everyday stuntin’ nigga
Ducks might get a chance after me
Bitch i’m ballin’
Like i’m comin’ off of free throws
Cuz the head of the game
No cheat codes
Lambo, Roscoe
No street code
And your booty got me lost like Nemo
Go, go, go
G-gon’ and do yo dance
And, i’ma throw this money
While you do it wit no hands
(GO!)

 

        My hoe has a first name its, Y-O-U-S-A; my hoe has a  last name, its B-I-T-C-H! lol. SO between ham and bologna, he only deals with basic bitches. No steak, no filet mignon, hell….not even turkey? This is a classy negro ladies… he will spend the best on his bitches! And I think that he happens to have a fetish with Ducks…..dont go to Disney World and leave him alone with Donald. Trust me…..the water metaphors are freaking me out. And he might not even really like women because he really only talked about himself through the whole verse. Was this to redeem himself for even being apart of this fucked up coonery in the first place? At least he spoke the best English in the song. COONSTATSTIC!

        I tried to find some praise in there… this is how I really feel about this song. Bounce if you must….but this is just HORRIBLE! Okay.. I’m done. Until I get some liquid courage in my system at a private house party and I begin to jam to this. What? I wanna do it with no hands…I’ve been practicing Yoga. lol

Double Negative Error Count

R&B: -6      Rap: -2

 

Sincerely,

~*My Mother’s Daughter*~

 

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